I lost my grandmother this morning. She is one of the most important people to me in the entire world. She represents love to me because her love was absolutely unconditional, and it was something I knew I had with absolute certainty.

I never think about her without thinking about her in her sewing room. I don’t think I realized when I was a child how unique that room was, that most houses didn’t have such a room. She would spend hours back in that room, but we children were always welcome. The tiled floors were pitted and scarred by the wheels of her rolling chair. She had at least three sewing machines set up, along with an ironing board. There was a table covered with fabric. I don’t think I ever saw its surface. She had trays with stray sewing machine feet, pins, bobbins, thimbles, scissors, and stale Freedent gum.

My mom asked me what I wanted, and the only thing I can think of is something from that sewing room. And a clock that chimes obnoxiously because whenever it marks the hour, it reminds me of spending weekends with her. I used to hear that clock late into the night when she let me stay up watching Johnny Carson or Fantasy Island. I had a pallet by her bed, but she often let me cuddle next to her. The next morning, she often took me out for breakfast and let me have a Coke, which Mom would never have done.

I had a chance to visit her in July 2014 when I was going to a digital storytelling conference in Denver. I recorded many of her and my grandfather’s stories and edited them into at least two digital stories. Here is my favorite.

I wish there were some way to capture how soft her cheeks were, like velvet, and how even though her hands shook with some sort of inherited disorder, she could always thread a needle on the first try. If she made something with her hands, it was going to be better than anything you would buy in a store.

When I was in seventh grade, I got it into my head to make her a small shelving unit. I don’t know why. I had taken woodshop the previous year in school, and I thought I could handle it. I did a terrible job. First, I found wood in the garage and didn’t ask if I could use it. I never got in trouble, but who knows what that wood had been set aside for? I couldn’t cut the wood evenly with a saw, so the two edges that would be the top were uneven. I tried to sand them down, but I couldn’t, not with the sandpaper my dad had in the garage. I tried to nail the shelves to the sides, but I couldn’t. I wound up using wood glue. I used different kinds of wood for the shelves and sides. The shelves were wider than the sides. I got a good look at that shelf for the first time in about 30 years when I visited two years ago. Every shelf is crooked. It looks terrible. And yet it has hung in her living room, in pride of place, with her collectible figurines resting in peril on each shelf. I realized that shelving unit is a metaphor for me. She cried when I gave it to her for her birthday. She immediately hung it on the wall. She loved me, with my faults, with perfect love. I doubt if she ever even saw how ugly that shelving unit was, just like she dismissed my own imperfections.

I decided to go to school today, even though my heart is broken, because I thought that I could either lie in bed all day, crying, or I could come to school and keep busy. It hasn’t worked all that well. I was teaching The Odyssey this morning, and it so happened that my students were studying Book 11—the book in which Odysseus travels to the underworld and sees the shade of his mother, not realizing she had died.

Mother, why not wait for me? How I long to hold you!—
so even here, in the House of Death, we can fling
our loving arms around each other, take some joy
in the tears that numb the heart. (11.240-243)

Odysseus’s mother replies,

[T]his is just the way of mortals when we die.
Sinews no longer bind the flesh and bones together—
the fire in all its fury burns the body down to ashes
once life slips from the white bones, and the spirit,
rustling, flitters away… flown like a dream. (11.249-253)

Why on this day, of all days, should this passage be the one I must discuss with a room full of ninth graders who know nothing about what I’m feeling? And yet, I also just finished King Lear, and yesterday, after I had spoken with my grandmother for the very last time and shortly before she lost consciousness, my students were conducting a Socratic seminar discussion of the play along with A Thousand Acres by Jane Smiley, and this line in particular stabbed me through the heart:

Why should a dog, a horse, a rat have life,
And thou no breath at all? (5.3.370-371)

As blessed as I am to have had my grandmother for 45 years, and I know that I am, I can’t help but feel what Lear feels: “Stay a little” (5.3.327). Would there ever have been enough time?

It’s an accident of life that I happen to be teaching these works right now. I planned the curriculum before my grandmother’s final illness took hold.

I know that death is a part of life. But I don’t know life without his remarkable, amazing woman who loved me so much. I don’t know how to talk about her in the past tense. I don’t know how to keep going without knowing she’s there, perhaps 2,000 miles away, but there.

She told me the last time I spoke to her that she would watch over me, and that she would hold me always in her heart.

And I chanced upon this poem by Emily Dickinson, one of my favorites, while I was looking for something, anything, that spoke to how I was feeling (Fr. 428).

We grow accustomed to the Dark—
When Light is put away—
As when the Neighbor holds the Lamp
To witness her Good bye—

A Moment—We uncertain step
For newness of the night—
Then—fit our Vision to the Dark—
And meet the Road—erect—

And so of larger—Darknesses—
Those Evenings of the Brain—
When not a Moon disclose a sign—
Or Star—come out—within—

The Bravest—grope a little—
And sometimes hit a Tree
Directly in the Forehead—
But as they learn to see—

Either the Darkness alters—
Or something in the sight
Adjusts itself to Midnight—
And Life steps almost straight.

Perhaps you know this poem? It leaped off the page, and it was almost like Miss Emily was offering me the one thing I really needed to read. We grow accustomed to the dark. It is not easy. We will bump into things. We will grope, trying to find our way. But eventually, life steps almost straight. The perfect word in that line is “almost.” We are never quite the same after such a loss. In the words of Albus Dumbledore, “To have been loved so deeply, even though the person who loved us is gone, will give us some protection forever” (Rowling 299). I suppose I draw comfort from the idea that Odysseus, Lear, and even Harry Potter know how I feel right now. They, too, have felt losses not too dissimilar from mine. And they recognize that such losses leave holes in our lives that cannot be filled.

I will always miss my grandmother. In a way, I have been saying goodbye to her since the last time I visited in July 2014. I had a feeling, somehow, that it might be the last time I might see her. She wasn’t ill at the time, but I had no way of knowing when or if I could make the trip back. The sun was setting. I knew the day wouldn’t be lasting much longer. And now, I’ll have to grow accustomed to the dark.

Works Cited

Dickinson, Emily. The Poems of Emily Dickinson: Reading Edition. Edited by R. W. Franklin, Cambridge, Belknap, 2005.

Homer, The Odyssey. Translated by Robert Fagles, New York, Penguin Books, 1997.

Rowling, J. K. Harry Potter and the Sorcerer’s Stone. New York, Scholastic, 1997.

Shakespeare, William. The Tragedy of King Lear. Edited by Barbara A. Mowat and Paul Werstine, New York, Washington Square Press, 2005.

Slice of Life is a weekly writing challenge hosted by Two Writing Teachers. Visit their blog for more information about the challenge and for advice and ideas about how to participate.