Category Archives: Assessment

UbD Update

I have been quiet for a couple of days as I finished up the school year and did some planning for a summer course I will be teaching the end of July/beginning of August. In the meantime, Grant Wiggins commented on the UbD Wiki post and offered up a nice bit of encouragement for those of us who are reading Understanding by Design and collaborating at the wiki, which Wikispaces has generously agreed to host ad-free. We are just getting started, so it is not too late to join up!

More tomorrow after I have rested from education for a bit.

Update, 5/30/08: Thanks to Grant for allowing UbD Educators to access his online course this year.  The course is no longer available for free.

[tags]Grant Wiggins, UbD, Understanding by Design, Jay McTighe, wiki, assessment, education[/tags]

Understanding by Design: Understanding Understanding

Understanding by DesignAn alternative title for this chapter of Understanding by Design might be “Everything You Thought You Knew about Teaching and Assessment is Wrong.”  Perhaps that is somewhat hyperbolic, but not much.

I consider myself an autodidact — perhaps not in the sense of being largely self-taught, but in the sense that I have taught myself a lot.  I have taught myself a number of things, from CSS and HTML to Arthurian legend and how to cross-stitch.  I think that sometimes I am frustrated when I encounter students who cannot teach themselves.  I think I expect them to be able to transfer information more easily when I haven’t really given them the tools to do so.  A math problem mentioned in the book asks students to identify how many buses, each of which seats 36, would be needed to transport 1,128 people (2).  Of course, the route one should take to answer this question is to divide the number of people by 36.  According to Wiggins and McTighe, “Almost one-third of the the eighth-graders [taking the NAEP mathematics assessment] gave the following answer: ’31 remainder 12′” (2).  You and I can do our best face-palm imitations of Homer Simpson, but the fact remains that 1,128 divided by 36 does result in 31 remainder 12.  What the students didn’t understand is that those twelve leftover people would need a whole extra bus; therefore, they should have given the answer 32.  Just to show how stubborn I am, I had to work the math problem before I took the authors on faith.

Wiggins and McTighe discuss Benjamin Bloom’s influence on assessment through his Taxonomy.  As the authors point out, “As Bloom put it, understanding is the ability to marshal skills and facts wisely and appropriately, through effective application, analysis, synthesis, and evaluation” (39).  To elaborate, “[d]oing something correctly, therefore, is not, by itself, evidence of understanding.  It might have been an accident or done by rote” (39).

What the authors argue we must enable students to do is to “transfer” information:

Knowledge and skill, then, are necessary elements of understanding, but not sufficient in themselves.  Understanding requires more: the ability to thoughtfully and actively “do” the work with discernment, as well as the ability to self-assess, justify, and critique such “doings.”  Transfer involves figuring out which knowledge and skill matters here and often adapting what we know to address the challenge at hand. (41)

On pages 42-43, Wiggins and McTighe examine the failure of students to transfer mathematical knowledge to solve problems.  I learned something new about myself as I read these two pages.  I have told myself for years that I am not a good math student.  I had to work very hard to earn B’s when I had good teacher who could explain mathematical concepts.  On the other hand, if I had a teacher that just couldn’t explain it in a way that I could understand, I might earn C’s.  My A in College Algebra didn’t convince me otherwise.  I told myself that I earned a good grade because my high school Trig/Pre-Calculus teacher was so good.  When we ventured into Calculus at the end of the course, I failed the quiz that week.  However, in working the following problem, I discovered that I had actually done something that “two-thirds of the tested students” who took the New York State Regents Exam couldn’t do.  I could transfer my understanding of a mathematical formula to a new situation.  Try this problem:

To get from his high school to his home, Jamal travels 5.0 miles east and then 4.0 miles north.  When Sheila goes to her home from the same high school, she travels 8.0 miles east and 2.0 miles south.  What is the measure of the shortest distance, to the nearest tenth of a mile, between Jamal’s home and Sheila’s home?

Once you’ve worked it out or given up, join me and read on.

I was so excited because I immediately saw this problem in terms of triangles.  I am pretty good at reading maps, and I visualized the routes Jamal and Sheila took.  After that, I realized I could probably use the Pythagorean theorem to solve the problem because the triangles formed were right triangles.  As I read further, I discovered I was correct.  The students who missed this question were not able to transfer a²+b²=c² to a real-life application, though they probably memorized the formula and correctly answered questions just like this one, only formed in such as way that they could clearly see the Pythagorean theorem was necessary to solve the problem.  I guess I’m not such a bad math student after all.  And by the way, the answer is 6.7 miles.  Um… right?  Tranfer?  Yes.  Confidence?  Not yet.

Math Problem

And how many times have I complained that students are fixated on grades and don’t really care what they have learned?  I suppose I have trouble practicing what I preach.  I saw my math grades as an indicator that I didn’t understand.  The problem, then, was not that I didn’t understand, but that the assessments provided by my instructors didn’t always enable me to prove that I understood.  I really don’t want to do this to my own students.

Wiggins and McTighe define “an understanding,” the noun, as “the successful result of trying to understand — the resultant grasp of an unobvious idea, and inference that makes meaning of many discrete (and perhaps seemingly insignificant) elements of knowledge” (43).  As teachers we generally choose our subject matter, if we are subject specialists as is commonly the case with secondary teachers, based upon our expertise.  I consider myself a good reader and writer, and I liked my junior and senior English teacher a great deal.  She inspired me to further my English education in college.  It was touch and go, as I was actually a better student of French than English.  I considered teaching foreign language, but one reason I decided not to is that in order to be a more attractive candidate, I would probably have to be able to teach more than one foreign language, and I was only ever interested in French (at least when I was younger, that is).  As we learn, we forget that we didn’t always know this stuff, and we gradually become experts.  Wiggins and McTighe warn against this “expert blind spot” (44).  You might be suffering from this blind spot, as I do, if you’ve ever said something like this:

Teachers do not optimize performance, even on external tests, by covering everything superficially.  Students end up forgetting or misunderstanding far more than is necessary, so that reteaching is needed throughout the school experience.  (How often have you said to your students, “My goodness, didn’t they teach you that in grade X?”). (45)

What do we get as a result?  “Students in general can do low-level tasks but are universally weak in higher-order work that requires transfer” (45).  As the authors argue, “We [make] it far more difficult for students to learn the ‘same’ things in more sophisticated and fluent ways later.  They will be completely puzzled by and often resistant to the need to rethink earlier knowledge” (45).  I know I have noticed this phenomenon in my own students, especially with regards to grammar.  Our school has rigorous grammar instruction in the 9th grade. If students do not learn the basics of grammar before they enter the 9th grade, I have found they are often resistant to learning it.  They don’t feel comfortable with the material, and they feel frustrated about being behind.  They also don’t often make use of teacher office hours or our Learning Center in order to catch up, but those few students who do invariably “get it” at last.  I know that my writing has improved over the last few years as I have been teaching this grammar curriculum.  I really think about all of the parts of language and how to put them together to get my ideas across with clarity.  It isn’t that I didn’t think about it before, but I really feel more grounded and sure of myself as a writer.  But just like my students, I was resistant toward rethinking “earlier knowledge.”  I have had to question my own beliefs regarding grammar instruction (and, to be fair, those of my previous teachers, professors, and my supervising teacher from my student teaching days).

As Wiggins and McTighe further explore understanding, they note “Children cannot be said to understand their own answer, even though it is correct, if they can only answer a question phrased just so” (48).  In so doing, students show not that they understand a concept, but that they can regurgitate a fact, solution, answer, etc., for a test.  Inevitably, this lack of transfer will result in the students’ forgetting the concept.  It’s not that they forgot it, but that they never really understood it at all.  Determining whether a student understands demands “crafting assessments to evoke transferability: finding out if students can take their learning and use it wisely, flexibly, and creatively” (48).  In other words, we should be “assessing for students’ capacity to use their knowledge thoughtfully and to apply it effectively in diverse settings — that is, to do the subject” (48).  A common pitfall in education is that we “attribute understanding when we see correct and intelligent-sounding answers on our own tests” (49).  I had a student who could memorize like no one’s business.  She memorized vocabulary for quizzes and made excellent grades, but I can’t recall seeing her use those new words in her writing, and later she might even ask me what the term meant if I casually used it in class.  She hated it when I changed my vocabulary instruction this year and adopted vocabulary cards.  I noticed an uptick in transfer of new vocabulary this year.  If I used a term in class, students might even point out that it was a vocabulary term.  Some of them even made a concerted effort to incorporate their new vocabulary words into their writing.  But this student did neither — she still didn’t know the terms later, and she still didn’t use them in her writing.  In addition, she seems to have to have information presented in exactly the same way each time, or she doesn’t know what I’m talking about.  In other words, I think this student’s problem is an inability to transfer.  I don’t think it’s entirely up to her — I needed to figure out a way to facilitate that transfer.  However, I figured out ways to get other students to transfer, so it wasn’t entirely me.  She insists that she is just a poor test-taker.  After reading this chapter, I think I have a better idea of what’s wrong.  She never understood the material in the first place, but she compensates so well with her excellent memory that she still manages to earn good grades.  Placement or tracking can be difficult for students like this girl because as teachers, we know something is off.  We know these students don’t “get it” like they should, but at the same time, they can earn grades that would seem to justify a higher placement.  What we need to do as teachers, then, is create authentic assessments that enable us to justify the grades we give.  I cannot justify the high grades this student received in my class; I know she doesn’t have the understanding that some of her peers had who didn’t earn grades as high as hers.

Wiggins and McTighe conclude the chapter with a discussion of misunderstanding, which “is not ignorance,” but “the mapping of a working idea in a plausible but incorrect way in a new situation” (51).  The authors point out, “Paradoxically, you have to have knowledge and the ability to transfer in order to misunderstand things” (51).

Thus evidence of misunderstanding is incredibly valuable to teachers, not a mere mistake to be corrected.  It signifies an attempted and plausible but unsuccessful transfer.  The challenge is to reward the try without reinforcing the mistake or dampening future transfer attempts.  In fact, many teachers not only fail to see the value in the feedback of student misunderstanding, they are somewhat threatened or irritated by it.  A teacher who loses patience with students who don’t “get” the lesson is, ironically, failing to understand — the Expert Blind Spot again… Take time to ponder: Hmmm, what is not obvious to the novices here?  What am I taking for granted that is easily misunderstood?  Why did they draw the conclusion they did? (51)

Work Cited: Wiggins, Grant, and Jay McTighe. Understanding by Design. Expanded 2nd Edition.  Alexandria, VA: ASCD, 2005.

[tags]UbD, Understanding by Design, Grant Wiggins, Jay McTighe, understanding, curriculum, assessment, education[/tags]

UbD Educators

Understanding by DesignBased upon some discussion about my re-reading of Grant Wiggins and Jay McTighe’s Understanding by Design, I created a wiki for those of you who are interested in exploring this book together this summer and sharing our UbD lesson plans. As the authors say in chapter one, “Backward Design,” “In addition to using the UbD Design Standards for self-assessment, the quality of the curriculum product (unit plan, performance assessment, course design) is invariably enhanced when teachers participate in a structured peer review in which they examine one another’s unit designs and share feedback and suggestions for improvement” (27). I am really excited to try peer review, but I am not sure my colleagues at school would be on board. Let me rephrase. My department head would be interested, and one other member of our department might be, but the final member would consider it a personal affront.

I’m excited about this! Come join us if you are interested in this collaborative project.

Update, 5/30/08: Please read important new information in the comments.

[tags]UbD, Understanding by Design, Grant Wiggins, Jay McTighe, peer review, curriculum, assessment, education[/tags]

Understanding by Design: Backward Design

Understanding by DesignChapter One of Understanding by Design is an introduction to the concept of Backward Design, which I think is best summarized in Wiggins and McTighe’s statement that “We [teachers] cannot say how to teach for understanding or which material and activities to use until we are quite clear about which specific understandings we are after and what such understandings look like in practice” (14-15).  In other words, we need to know what we want the end result to be before we plan.  This might seem obvious, but we don’t do it as much as we should.  Most books discussing goal-setting advise readers to visualize the end and then determine how to get there.  What I know I have done at times is what the authors describe as “throw[ing] some content and activities against the wall and hop[ing] some of it sticks” (15).  Ouch.  In fact, their description of a unit on To Kill a Mockingbird could be an accurate description of some of my own planning:

Consider a typical episode of what might be called content-focused design instead of results-focused design.  The teacher might base a lesson on a particular topic (e.g. racial prejudice), select a resource (e.g. To Kill a Mockingbird), choose specific instructional methods based on the resource and topic (e.g. Socratic seminar to discuss the book and cooperative groups to analyze stereotypical images in films and television), and hope thereby to cause learning (and meet a few English/language arts standards).  Finally, the teacher might think up a few essay questions and quizzes for assessing student understanding of the book.  (15)

Like I said, ouch.  As a matter of fact, if I am being truthful and honestly reflective about my practices, I have to admit that this is my most frequent approach to teaching literature.  That isn’t to say that my students aren’t learning, but clearly, I need to figure out what it is exactly that I want them to learn.  If I have one quibble with the UbD approach as described in this chapter, it is that the authors ask, “Why are we asking students to read this particular novel?” and later state, “Unless we begin our design work with a clear insight into larger purposes — whereby the book is properly thought of as a means to an educational end, not an end until itself — it is unlikely that all students will understand the book (and their performance obligations)” (15).  Well, then, why do we select any text?  Why do we read any novel?  I don’t think my first reason for selecting To Kill a Mockingbird would be teaching students about prejudice, although one could certainly learn about prejudice from the novel.  I simply think it’s a great book.  So how do I articulate that into a justification for selecting that text?  If I am selecting texts only as a means of communicating some large idea, does it even matter what we read as long as we get there?  I don’t think the authors believe this, but I do think they would like teachers to question why they select texts that they do: “Many teachers begin with and remain focused on textbooks, favored lessons, and time-honored activities — the inputs — rather than deriving those means from what is implied in the desired results — the outputs” (15).

The authors proceed to explore in more depth what they referred to in their introduction as “the twin sins of design”: activities-based instruction and coverage-based instruction.  If you have ever asked yourself as an educator why those students just won’t learn what you’re teaching, you’ll want to examine this section.  The authors advise teachers to ask “‘What should [the students] walk out the door able to understand, regardless of what activities or texts we use?’ and ‘What is evidence of such ability?’ and therefore, ‘What texts, activities, and methods will best enable such a result?'” (17).  In the margin of the book, I wrote, “I tell (I meant stand in front of the room and yak at) students too much, and I do all the work.  Then I complain when they don’t learn.”

Backward design is comprised of three stages: 1) Identify desired results; 2) Determine acceptable evidence; and 3) Plan learning experiences and instruction (17-18).  “In stage 1 we consider our goals, examine established content standards (national, state, district), and review curriculum expectations” (18).  In stage 2 we determine what “collected evidence [is] needed to document and validate that the desired learning has been achieved” (18).  Finally, in stage 3 we determine “appropriate instructional activities” (18).

I think the central reason why educators are somewhat leery of UbD is clear in the following passage:

This [backward design] is all quite logical when you come to understand it, but “backward” from the perspective of much habit and tradition in our field.  A major change from common practice occurs as designers must begin to think about assessment before deciding what and how they will teach.  Rather than creating assessments near the conclusion of a unit of study (or relying on the tests provided by textbook publishers, which may not completely or appropriately assess our standards and goals), backward design calls for us to make our goals or standards specific and concrete, in terms of assessment evidence, as we begin to plan a unit or course. (19)

In other words, UbD is looking at curriculum like we tend to look at goal-setting.

Later in the chapter, the authors suggest peer review of units or curricula might be helpful.  I agree, and I think this can be totally non-threatening and extremely helpful, but I am not sure some of my colleagues would agree.  Teachers are prickly about review.  I know I didn’t like it in the past when I’ve had to hand in lesson plans.  However, I think on the occasions when I have received good feedback regarding my ideas, it’s been critical to my improvement as an educator.  As teachers, we understand that feedback and assessment doesn’t always equal criticism when we do it, but when we receive it, we tend to find ourselves right back in the student’s chair again.

The chapter ends with an examination of a health teacher’s unit on nutrition.  As this unit is used as an example throughout the book, the completed UbD template for the unit plan appears in this chapter.  I have to say it’s an excellent unit plan.  The students are authentically assessed over their understanding of good nutrition; furthermore, they are asked to apply what they learn.  In fact, I think if I were the health teacher’s student, I would have found the unit interesting, engaging, and enjoyable.

Work Cited: Wiggins, Grant, and Jay McTighe. Understanding by Design. Expanded 2nd Edition.  Alexandria, VA: ASCD, 2005.

[tags]UbD, Understanding by Design, Grant Wiggins, Jay McTighe, Backward Design, curriculum, assessment, education[/tags]

Understanding by Design: Introduction

Understanding by DesignAs I read Grant Wiggins’ and Jay McTighe’s Understanding by Design, I have decided to share my thoughts — my reading journal, if you will, as a few readers expressed an interest in hearing my thoughts about this book. I could be misrepresenting my readers, and please tell me if I am, but I sense a great deal of skepticism about UbD among educators. After Jay McTighe presented UbD to our faculty last year, I have to admit I became a fan of this approach, so caveat emptor.

First of all, the book has a nice feature that seems like a small thing, but is something I really appreciated as I began reading — space in the margins to write notes. Encouraged by this extra space, I took quite a few notes as I read. This post will focus on the book’s introduction.

If you are thinking about reading this book and are tempted to skip the introduction, my advice is — don’t! Back when we were students, I know we often skipped the introductions, as we didn’t consider them really part of the book. This introduction, however, is essential background. The introduction discusses four vignettes, two of which are true stories and two of which are “fictionalized accounts of familiar practice” (1). The two fictionalized accounts — one, a description of a unit on apples and the other, a description of a teacher in April realizing how much he has left to “cover” represent what the authors call the “twin sins of design” (3). The first unit is a string of activities related to apples. I have to admit that presented in the context of this book, the unit sounded absurd. I wasn’t sure what the students were supposed to learn about apples, aside from having some fun engaging in a series of activities, including making applesauce, going on a hayride, and writing stories about apples. The second unit is probably more familiar to high school teachers. Who among us hasn’t reached April and freaked out when we realize how much material we have left to cover? This year in American Literature, I ended up at The Great Gatsby. I don’t feel good about the lack of coverage the twentieth century received in my class, and that was one of the reasons I decided this book needed to be on my summer reading list. I need to plan smarter and better so that my students are exposed to a true survey of literature in my survey courses. I need to figure out what they need to understand, know, and be able to do. I love literature, and it is my compulsion to throw everything out there, but it is not the smartest thing to do given the constraints of time. I highlighted an appropriate quote: “[A]t its worst, a coverage orientation — marching through the textbook irrespective of priorities, desired results, learner needs and interests, or apt assessment evidence — may defeat its own aims” (3). While I agree with this statement, I wonder what our test-driven schools can do, especially in light of NCLB. I think that in some fields, teachers must feel obligated to ensure they approach the material from a coverage orientation. The problem, of course, is with the way we measure student success for NCLB. I am really glad I am not subject to these demands as a private school teacher. Later, the authors say “[m]any teachers believe that to design for understanding is incompatible with established content standards and state testing, we think that by the time you have read the entire book, you will consider this to be false” (9). Perhaps my fears about how well teachers can use UbD and still prepare students for standardized tests will be allayed.

I also made note of an interesting question asked in the introduction: “How can we accomplish the goal of understanding if the textbooks we use dispense volumes of out-of-context knowledge?” (4). One of my criticisms of the textbook series we are adopting, Prentice-Hall’s Literature, is that they pull in “Connections” from other disciplines that are tenuous at best. I do believe in the value of cross-curricular instruction, but I think forcing it when the connections are weak undermines learning and insults the intelligence of our students. The book will describe essential questions later in the text, but I was intrigued by the authors’ insistence that “[i]ndividual lessons are simply too short to allow for in-depth development of big ideas, exploration of essential questions, and authentic applications” (8). I completely agree and recall feeling frustrated by my middle school administrator’s insistence on my putting essential questions on the board each day. He was quite happy if they read something like “What is a pronoun?” or “Why do we need pronouns?”, but I always felt like I was simply rewording the objectives in the form of a question rather than really trying to communicate “big ideas” or overarching understanding of the material I was teaching.

Work Cited: Wiggins, Grant, and Jay McTighe. Understanding by Design. Expanded 2nd Edition. Alexandria, VA: ASCD, 2005.

[tags]UbD, Understanding by Design, Jay McTighe, Grant Wiggins, curriculum, assessment, education[/tags]

Plagiarism

I have been grading student essays this morning and just detected plagiarism in one of my students’ essays. It’s not the first time a student has turned in a plagiarized essay to me, and I am sure (sadly) that it won’t be the last. On the one hand, I know this student was sick when the essay was due, but I did offer her more time to complete the essay, and she declined. What is particularly troubling to me is that the essay contains sections entirely copied and pasted from Wikipedia or Answers.com. I find this distressing for many reasons. First of all, I think it is rather insulting to my intelligence that a student believes she can copy text from such well-known websites without my knowledge — indeed, I had provided students with links to the Wikipedia article she copied in order that they might find it a useful source. Second, it bothers me that the student must have believed turning in writing culled from Wikipedia was OK. I suppose I shouldn’t be surprised; our current culture encourages plagiarism — you can purchase essays online. I find it frustrating that students continue to steal content from the Internet. I imagine they do so because it’s easier than stealing it from a book, but I don’t think they realize how much easier it is to catch them at Internet plagiarism.

I have learned a couple of tricks that help me catch plagiarists. First of all, look for straight quotes as opposed to curly quotes. Straight quotes often indicate copying and pasting from the Internet because web standard displays quotation marks as two small, straight lines, whereas the default font in MS Word, Times New Roman, displays quotation marks as two curly marks. Straight quotes don’t always indicate plagiarism, but they are something to look for if you are suspicious. If you suspect plagiarism, type a sentence or two from the paper word for word into Google search. You should yield a result if the language is identical to that of another site or even if only a few words have been changed (if you don’t put quotes around the sentence). I found my plagiarist using both straight-quote identification and Google search.

What should you do if you catch a plagiarist? It depends upon the nature of the assignment. I give students zeroes. If the assignment is a major assignment, such as a term paper or research paper, I think discipline needs to be taken further. I think students who plagiarize long-term assignments need to have their parents notified and possibly be referred to administration. I didn’t elect to do that with my student. I think the zero will be enough. I think she’s a sweet girl, and I hate that she’s put me in this position. I did try to be understanding about her illness, offering her more time to finish her essay. She declined.

We all make choices. Part of our job as teachers is to help students realize that plagiarism is never the right choice. Even a poorly written essay wouldn’t have received a grade lower than an F (50-59) in my class. I have a hunch she would have earned at least a C if she’d done the work herself.

[tags]plagiarism, education, writing, instruction[/tags]

Socratic Seminar

I don’t often apologize for a lack of posting.  Contrary to conventional wisdom, my philosophy of blogging is that one should only do so when one has something to say.  This philosophy is freeing, in that I don’t litter my blog with posts I don’t care about just so I can keep readers.  The year is winding down, which is stressful anyway, but it doesn’t help much when external stress is brought to bear by someone who could control him/herself if he/she wanted to.  Such is the education life, though, no?

With that inviting introduction, we move into what I really wanted to talk about, which is the beauty that is the Socratic Seminar.  You may recall my students participated in a Socratic Seminar earlier this year centered around the question of who was most responsible for Romeo and Juliet’s deaths.  You can read about that seminar here, along with my reflections about the amazing job they did here.  Another class of mine recently participated in a Socratic Seminar centered around the question “What’s wrong with Holden?” after reading The Catcher in the Rye.

A Socratic Seminar can be based upon any book.  All you have to do, as the educator, is figure out what larger theme or question you want the students to discuss.  Students do all of the other work, but they need guidelines.  First of all, in my experience, students have never heard of a Socratic Seminar, and even those who have heard of one are not sure what to do.  Just outline it for them.  You can use my handout, changing all the relevant information: Socratic Seminar handout.  I culled some of the information on this handout from Greece Central School District’s website.  I think if students are given a similar handout, they will know what they need to do to prepare.

I try to give students at least some class time to prepare.  If the truth be told, it isn’t strictly necessary, but it allays some of their concerns if they can run questions by me first before the seminar.  It also gives those who are having a hard time with the task a chance to see what other students are doing to prepare.  You may need to do some modeling with middle school students, but I haven’t found this to to be necessary with my college prep and honors ninth graders — of course, your mileage may vary, so keep in mind who your students are and what they will need.

The most beautiful thing about Socratic Seminars is that they enable the teacher to assess a student’s understanding of the book, while at the same time ensuring that the student does all the work him/herself.  It is hard to bluff through this assignment without having read the book.  Students have to mark passages so they can defend their assertions.  Their audience is their toughest one — their peers — and their peers will call them on it if they try to BS.

One thing you may notice, as I did, is that Socratic Seminars will give students a chance to shine — a quiet girl who rarely talked in class until the Socratic Seminar simply came out of her shell and contributed a great deal.  I think the Socratic Seminar helped her realize she has valid and interesting things to say.  Another thing that may impress you is how hard the students will work.  They will look up quotes, read criticism (even if it is just online), jot down notes, and the like.  One student told me that even though he’s read Catcher twice, he basically re-read the book just to prepare for the seminar.

Tips for conducting a successful Socratic Seminar:

  • If you’re like me, it will be hard for you as the teacher to remain quiet while the students talk, but it’s essential.
  • Allow students to use hands if they can’t restrain themselves.
  • Supply post-its if students can’t mark in their books.
  • Make sure students are aware of expectations — that each of them must contribute both as a speaker and a listener.
  • Put chairs in a circle.  My chairs are not connected by desks, but if yours are, put desks in a circle.

You might be surprised with what your students come up with when they are put to the test, and the best thing about it is that they do all the work — you just have to listen.

[tags]Socratic Seminar, literature, education[/tags]

Rubrics

One last post, and I’m off to bed.  I do, after all, have to teach tomorrow.  I had a discussion with my principal about rubrics the other day, and today I read an article entitled “Why I Won’t Be Using Rubrics to Respond to Students’ Writing” by Maja Wilson (in English Journal, March 2007 — read it here if you are an EJ subscriber).  My only real issue with the article is that Ms. Wilson focuses on personal narrative, which is much harder to look at with an objective rubric.  I would have liked to have seen what she would have done with a persuasive essay, expository essay, or literary analysis, where I think more objectivity in the form of “looking for certain things” certainly exists.  I do, however, think she has some very good points.  I have been a staunch believer in the rubric, and have even written defenses on this very site this year, but my discussion and this article are really making me think.  I do think rubrics have helped me become more objective, but I think I have taken the objectivity too far and some of the human element in what my students are writing has not been considered.  I have ideas about how I will approach things differently next year.  If I had my way, I wouldn’t grade student writing at all, but simply give them feedback so they could improve.  School doesn’t work like that, however, and I have to assign grades to written work.  Instead of being a tool, my rubrics have become my crutch, and I think I could have given more tangible, valuable feedback this year.  I do plan to stick to my resolve about portfolios and typewritten feedback (at least every other essay) for next year.  It’s too late for me to collect data and see what sort of quantifiable impact this approach will have on my students, but I will keep you posted.

Maja Wilson is also the author of the Heinemann book Rethinking Rubrics in Writing Assessment.

[tags]rubrics, writing, assessment, Maja Wilson, English Journal[/tags]

Teaching Organization with Notebook Checks

In addition to conveying our subject matter, I think it is critical that teachers help students learn good study skills, such as note-taking and test-taking strategies and organization skills.  One thing I have noticed about organization over my years as a teacher is that a really organized student can usually do fairly well, even if she has deficiencies in other areas, such as reading comprehension, writing, and higher order cognition, whereas a highly intelligent student with poor organization skills almost always has trouble in school and earns grades far below his ability.  I have found notebook checks to be an effective way to teach organization skills.

Notebook checks can be conducted in a variety of ways.  My high school English teacher used to collect our notebooks each time we had a test and check them while we took our tests.  I’ve done this before, too, but it isn’t the most efficient way to check notebooks, as it puts all of the work on the teacher.  Using this method, a teacher might think of five random things he or she expects to find in the notebook, such as a certain term defined, a handout given out on a certain date, a homework assignment, a journal, etc.  One of the reasons I am no longer a fan of this method is I don’t think it really teaches the students organization.  It’s hard to justify marking points off if you can’t find something in the notebook when later the student can find it — what you’re really teaching is that they should follow your idea of organization, not something that works for them.  I contend that if they can find it in their notebooks, then their organization system must work just fine, even if it looks crazy to you and me.

When I was student teaching, my supervising teacher also gave notebook checks, but I think she gave them too much weight (two test grades), and she looked for the wrong things.  Her classes all began with a warm-up.  Two days a week, the warm-up was a grammar exercise and the other three days were journals.  She collected two grammar warm-ups and three journals at random on each notebook check.  What I don’t like about this is that I feel it doesn’t teach organization at all.  A student in her class would not need to hold onto handouts, assignments, or notes because all she was interested in was the warm-ups!

I learned a much better method for creating notebook checks from a colleague of my supervising teacher.  As a requirement for my student teaching experience, I had to observe another teacher in my [future] department/area of concentration.  On the day I observed this teacher’s class, he was giving a notebook check, and I was much more impressed by his method for assessing organization.  This method requires a measure of organization on the part of the teacher,  but I think it is more effective at teaching students organization as well.  Basically, what the teacher does is ask questions about items that should be in the notebook.  The student is allowed to search through his or her notebook for the answers.  If the student doesn’t have them, too bad — students quickly learn they must keep everything.

Notebook checks should not be too long, as students will take time flipping through their notebooks for the answers.  Mine are ten questions.  Missing several questions will hurt a student, and that’s the idea — students quickly learn that their notebook check grades will be better if they are organized!  Students should not be able to to guess the answers to notebook check questions.  It is possible the students might remember the answers without looking them up in the notebook, especially if they study regularly, but I think the questions on a notebook check should be specific so that students need to look up the information.  It’s also important for students to write the date on everything — warm-ups, notes, handouts, etc.

My students do warm-up exercises (journals or grammar exercises) when they come to class, which keeps students busy while I take roll and pass out papers at the beginning of class.  However, they will see little need in doing warm-ups if there is no pay-off in terms of grades, so on each notebook check, I select two warm-ups at random and ask students about them.  Aside from that, I ask them questions about terms in their notes, homework answers, quizzes, essays, or anything else that might be in their notebooks.

Sample notebook check questions might look something like this:

  1. Locate your journal for March 16.  What was your opinion? [Say, for example, the journal asked whether it was better to have loved and lost than never to have loved at all.]
  2. Locate your homework assignment for April 4, p. 671, ex. B.  What was the answer to number 3?
  3. Find your test on pronoun reference.  Check one of the questions you missed and explain why you got it wrong [make sure you’ve gone over the test! If there were any 100’s on that test, you might avoid questions like this].
  4. Locate your quiz from March 30.  What was the answer to number eight?
  5. Locate your notes for April 11.  Who wrote Lyrical Ballads?
  6. Locate the Power Point Presentation on American Realism, Regionalism and Naturalism.  What is verisimilitude?

Of course, you would go on in this vein until you have ten questions about items students should be able to locate in their notebooks.  My SMARTBoard (interactive white board) really helps me in terms of questions about students’ notes.  I can go back to every date on which students took notes and see what I wrote down on the SMARTBoard, so I can say without a doubt that it should be in a student’s notes.

At first, you will have absent students complain that they were not present on the date when such and such was assigned or whatever.  Just tell them they are responsible for making up all the work they miss and mark them wrong if they leave it blank.  Over time, you will begin to hear your students ask their peers things like “What was our warm-up yesterday?” and “Can I borrow your notes from yesterday?”  And that is the idea!  It’s a good idea not to ask about items that were handed out the day before a notebook check, simply because if a student is absent on that day, he or she doesn’t have adequate time to make up the work prior to the notebook check.

I like this method more than rifling through the students’ notebooks because the students have to locate the information, which means they have to have it organized in a way that facilitates locating it, and second, it’s a snap to grade.  Just like any quiz or test, you make up a key and check the answers against it.  Sometimes answers may vary and still be correct, and in those cases, simply note what you’re looking for.  For example, in question one above, students may either agree or disagree, but they should have some opinion on the question.

One other benefit of this particular method of assessment is that it can help lighten the paper load for teachers.  I do not, for instance, collect homework (grammar assignments, for the most part, in my class).  Instead, I go over homework in class and ask students to correct their answers and use the assignments to study for tests.  Will some students skip the homework?  Of course, didn’t you?  However, an effective way to combat this problem is to simply ask students you suspect didn’t do the work to contribute their answers when you go over it in class.  Grading homework makes me crazy, so I decided I just wasn’t going to do it.  However, I still want to make sure students are doing it at some point, so I ask them about it on notebook checks.

As the year progresses, students will ask me if such and such is going to be on the notebook check.  When they ask that, I make a mental note to put it on the next one, as they are usually asking because they don’t feel like doing the particular assignment.  The randomness of your questions should keep them on their toes without making you responsible for looking at every single thing they do in their notebooks.   Over time, as students become more organized, they actually come to like notebook checks as they are a good way for students who are organized to bring up their grades.  To make it worth their while, I do make notebook checks a major grade, but I wouldn’t do them more than once a month.  Overall, their grades on quizzes and tests should rise, too, as they have well organized materials for study.

[tags]assessment, note-taking skills, notebook checks, education, study skills[/tags]

Who Killed Romeo and Juliet?

Juliet stabs herself with Romeo’s daggerAs I wrote previously, I planned to conduct a Socratic Seminar focused on this question: Who was most responsible for the deaths of Romeo and Juliet? We held our discussion today. One student arrived early to help me move the desks to the side. We put the chairs in a big circle. The students came in and took their seats. I gave them the Self-Reflection from Greece Central School District to complete at the end, but told them they could jot down some of their thoughts as we held our discussion.

After I opened the discussion with the question, the students took over. Aside from having to stop and make sure that students who had been waiting to speak had a turn, I didn’t say another word until the end of class when I told the students what a wonderful job they’d done. They did become heated at times. There was a solid camp who asserted it was all the fault of Friar Laurence, whereas others said no one person was to blame — so many factors came into play. Still others insisted Romeo and Juliet really had no one to blame for their deaths but themselves. They argued their points well, frequently turning to the text. Several times I heard students make this argument: “We can’t deal with ‘what ifs’; we have to go based on the text, and Shakespeare clearly says in the Prologue that it was fate — they were destined to die, and nothing could have prevented it.” It was so impressive to listen to, and I was very proud of how much they had learned. They were really getting into the text, and it didn’t feel like work or assessment, yet they truly showed me how much they knew through this exercise — much more so than a multiple choice test (do you hear that, NCLB test-happy bureaucrats?). There were times when students were passionate and had trouble taking turns or making sure everyone got a chance to speak, but by the end of the discussion, all of the students had had a chance to speak (with the exception of one student who had been absent and so wasn’t prepared — more on this in a moment — and another who just wouldn’t be drawn into the discussion). I heard from students who do not normally speak during our class discussions, and it was great to see this side of those students come out. I think everyone felt safe to share their opinions, even if everyone didn’t agree.

If you plan to hold a seminar, it might be helpful to know a few things about the students in my class. They are college-prep ninth graders. I have nineteen students in this class, six of whom are girls. The boys in the class are fond of sports and are masters at figuring out how to write about sports for every essay assignment for which they are given any amount of freedom regarding topics. Our class was a double block, but it was cut short due to Long Tefillah (prayers) — Purim is this Saturday, and some Jewish holidays call for extended prayers. We began class something like 10 or 15 minutes later than normal, but we managed to maintain our discussion for a full hour and 10 minutes. After this, I gave students time to fill out their reflections. One student said it was the quickest class period he’d experienced all year, which I took to mean he was so engaged he didn’t think about the clock. It was a great class.

What should you do if students are absent for any part of this assignment, either for preparation or the seminar itself? I gave students two class periods to prepare, and they used it well. We also had a bargain that they would use it well or I’d put them on the spot and make them talk right then. If students were absent for one class, I didn’t change any expectations; they were still expected to speak up at the seminar. If they missed both, I asked that they set up an appointment to meet with me and discuss their ideas one on one so I could hear what they would have said in the seminar. It’s not ideal, as part of the seminar is the exchange. If students just won’t participate, I offer them the same deal; I understand being a shy kid, for when I was really small I would have rather died than speak up in front of my peers. Students should be aware of how they will be graded prior to the assignment. This assignment is great for teaching students to dig deeply into a text for evidence to back up their assertions, and it is also great for critical thinking skills and speaking/listening skills. It’s also very easy to evaluate. The students do all of the work!

[tags]Socratic Seminar, Romeo and Juliet, discussion, assessment, education[/tags]